{"title":"CULTURAL ARTEFACTS","description":"\u003cp\u003eA range of products made using or inspired by tradirional methods and cultural practices.\u003c\/p\u003e","products":[{"product_id":"miart257-22","title":"ALVIN GAVENOR | 'Kajawur - Dance Hat' (1) | Artefact","description":"\u003cp\u003e\"The dance hat is also called 'Kajawur' in our Lardil language. Human hair is spun into string and wound onto a bark frame. Frequently red ochre called Nguyinen is applied as decoration. The white clay is termed 'Kayal' and is also used as medicine and body paint during corroboree. Some artist acrylic paint is used. The hats are topped with emu feathers, which are not endemic to Mornington Island but were traded with mainland people. The hats are worn during dancing and ceremonies by men only. Both men and women make hats, but the people with the skill have declined and now only a couple of people make them.\" Alvin Gavenor\u003c\/p\u003e\n\u003cp\u003eALVIN GAVENOR | 'Kajawur - Dance Hat' (1) | Artefact\u003c\/p\u003e\n\u003cp\u003eMeasurements: 20 (dia) x 50 (h) cm\u003c\/p\u003e","brand":"Alvin Gavenor","offers":[{"title":"Default Title","offer_id":40160470204495,"sku":"MIART257-22","price":1375.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/products\/IMG_7158.jpg?v=1659932395"},{"product_id":"miart260-22","title":"ALVIN GAVENOR | 'Kajawur - Dance Hat' (3) | Artefact","description":"\u003cp\u003e\"The dance hat is also called 'Kajawur' in our Lardil language. Human hair is spun into string and wound onto a bark frame. Frequently red ochre called Nguyinen is applied as decoration. The white clay is termed 'Kayal' and is also used as medicine and body paint during corroboree. Some artist acrylic paint is used. The hats are topped with emu feathers, which are not endemic to Mornington Island but were traded with mainland people. The hats are worn during dancing and ceremonies by men only. Both men and women make hats, but the people with the skill have declined and now only a couple of people make them.\" Alvin Gavenor\u003c\/p\u003e\n\u003cp\u003eALVIN GAVENOR | 'Kajawur - Dance Hat' (3) | Artefact\u003c\/p\u003e\n\u003cp\u003eMeasurements: 20 (dia) x 50 (h) cm\u003c\/p\u003e","brand":"Alvin Gavenor","offers":[{"title":"Default Title","offer_id":40160481280079,"sku":"miart260-22","price":1375.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/products\/IMG_7177_125980ef-447c-4824-bb41-e8d3ea573b5d.jpg?v=1659932545"},{"product_id":"josa36","title":"JOEL SAM | 'Dhoeri - Top Western Headdress' | Feather Sculpture","description":"\u003cp\u003eSAIBAI DHOERI’S\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e\"I wish to acknowledge the families of the late Carolus Isua for allowing me to create these four Saibai Dhoeri’s.   \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003eThese four dhoeri’s represent the cultural practices that was brought with the families during the movement from Saibai Island to the mainland.  To this present day, we as Saibai Islanders living on the mainland still maintain our cultural practices, through our language, ceremonies, stories, dance and songs.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003eWith respect to our fore fathers, elders and families.\" - Joel Sam\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003eJoel Sam’s family lives in Bamaga, Cape York, and originates from Saibai Island in the Torres Strait. Born on Thursday Island in 1977, he currently lives in Cairns, having finished his art studies in 2005 with a Diploma of Art from the Aboriginal and Torres Strait Visual Arts Course at the Tropical North Queensland Institute of TAFE. Since then he has been developing an art practice and technical skills in the media of linocut, sculpture and etching.\u003c\/p\u003e\n\u003cp\u003eJoel Sam is a regular exhibitor at NorthSite Contemporary Arts. Joel's works are held in the collections of the Australian National Maritime Museum, the Burnie Regional Art Gallery, the Cairns Regional Gallery and the Parliament House Art Collection, Canberra. Recently Joel Sam was the recipient of the Premier's Award for Exellence - The Queensland Government prize at the Cairns Indigeous Art Fair in 2024. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan lang=\"EN-GB\"\u003eJOEL SAM | 'Dhoeri - Top Western Headdress' | 2024 | Feather Sculpture | 70 (h) x 50 (w)\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan lang=\"EN-GB\"\u003e c\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan lang=\"EN-GB\"\u003em\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Joel Sam","offers":[{"title":"Teal","offer_id":42209151057999,"sku":"JOSA36","price":5520.0,"currency_code":"AUD","in_stock":true},{"title":"Light Blue","offer_id":42209151090767,"sku":"JOSA36a","price":5520.0,"currency_code":"AUD","in_stock":true},{"title":"Dark Blue","offer_id":42209151123535,"sku":"JOSA36b","price":5520.0,"currency_code":"AUD","in_stock":true},{"title":"Green","offer_id":42209151156303,"sku":"JOSA36c","price":5520.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/JOSA36b.jpg?v=1728629033"},{"product_id":"pd48-22","title":"PHILIP DENHAM - Girringun Art Centre | 'Bagu Necklace' | Milky pine","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\"\u003e\u003cspan\u003ePhilip Denham is an artist working at the Girringun Aboriginal Art Centre, based in Cardwell, Far North Queensland. He is a language speaker and knowledge holder and works with other Traditional Owners to share what he knows. He is a creator of traditional tools and has an extensive knowledge of the environment and its resources. Philip was taught by his parents who are highly respected Elders of the area.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEstablished in 2008, the Girringun Art Centre is home to multi-award winning artists and craftsmen.\u003c\/p\u003e\n\u003cp\u003eLocated in Cardwell, Queensland, Girringun represents artists from nine Traditional Owner Groups: the Nywaigi, Gugu Badhan, Warrgamay, Warungnu, Bandjin, Girramay, Gulngay, Jirrbal and Djiru people.\u003c\/p\u003e\n\u003cp\u003eThe traditional country of these groups covers some 25,000 square kilometres of country in the state’s far-North. Objects from this country are significantly different from those of much of the rest of Australia. Weaving is done by both men and women, and the diversity of resources between land and sea have resulted in a vast array of implements being crafted for use.\u003c\/p\u003e\n\u003cp\u003eA living functioning art centre, it is not unusual to see artists in the workshop developing new work and honing their craft. The stories and environments of this ancient culture are being transformed daily into visual images and designs by weavers, painters, potters, textile artists, and makers of traditional objects.\u003c\/p\u003e\n\u003cp\u003eThese artists bring to life the unique cultural story and expression of the distinctive Aboriginal rainforest art traditions and culture of the Girringun region, to share with the world.\u003c\/p\u003e\n\u003cp\u003ePHILIP DENHAM - Girringun Art Centre | 'Bagu Necklace' | Milky pine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Philip Denham","offers":[{"title":"Default Title","offer_id":42713447628879,"sku":"PD48-24","price":102.75,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/PD48-24B.png?v=1778822284"},{"product_id":"gnd331-24","title":"GIRRINGUN ART CENTRE – Nephi Denham | ‘Recycled Woven Basket’ | Electrical wire \/ Blue","description":"\u003cp\u003e\u003cspan\u003eNephi Denham is a Girramay Traditional Owner of the North Murray Area, outside of Cardwell, Queensland. He is based in Tully, Queensland. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA master craftsman, Nephi’s collection includes woven \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eMindi \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ebaskets, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eBagu\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e sculptures and paintings. He is renowned for his wonderful grasp of form and precise lines. An assisting artist on the \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eChainsaw Gunduy Sculpture \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ein 2014, Nephi maintains a focused interest in sculptural formats. Drawing from his rich cultural heritage, Nephi’s art reflects his family’s stories and the environment in which he grew up in. Nephi is also a speaker of his traditional Girramay language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNephi’s work is included in a number of private and public collections. He has been the recipient of the \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Cairns Airport Innovation Award (Girringun Aboriginal Art Centre, CIAF 2019) \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e Strand of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eEphemera (Townsville Artistic Excellence Award).\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eGIRRINGUN ART CENTRE – Nephi Denham | ‘Recycled Woven Basket’ | 2019 | 22 (h) x 8 (dia) cm | Electrical wire \/ Blue  \u003c\/p\u003e","brand":"Nephi Denham","offers":[{"title":"Default Title","offer_id":43160374476879,"sku":"GND331-24","price":183.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/GND331-24.jpg?v=1749430967"},{"product_id":"tb252-16","title":"THERESA BEERON - Girringun Art Centre | 'Bagu' | Ceramic sculpture","description":"\u003cp\u003eThe form and imagery of the bagu with jiman artwork has its origins in the sky. A mystical spirit of fire, would throw the jiman (firesticks) across the sky and a trail of fire would follow.\u003c\/p\u003e\n\u003cp\u003eBased on the traditional fire making implements of the Girringun rainforest Aboriginal people, the artists have created artworks made from clay, timber and string to evoke the spirit of the old people. This imagery has also been placed onto canvas, fabric and also onto jewellery. \u003c\/p\u003e\n\u003cp\u003eTraditionally, the firesticks were made up of two parts, the Bagu (body) and Jiman (sticks). Bagu is normally made from the boogadilla (milky pine tree) and Jiman are made from mudja (wild guava tree) or jiman. The bagu form was founded in the shape of a man, and a spirit design was created with traditional clays and the ochre colours are magera yellow, jillan, black with wallaby blood and garba white.\u003c\/p\u003e\n\u003cp\u003eBagu and Jiman were carried from place to place as the camps were moved. There was a special man person whose job was to look after the fire. The keeper of the fire would not dare to let the fire go out or he would be in big trouble, particularly in the wet season when it was difficult to find dry tinder.\u003c\/p\u003e\n\u003cp\u003e“We were not allowed to put our finger in the holes of the Bagu. I’m not sure why. Maybe it was a way to keep the fire pure,” Gulnay Traditional Owner, Doris Kinjun said.\u003c\/p\u003e\n\u003cp\u003eFire was a very important part of daily life for the old people. It was used for cooking, warmth, making traditional weapons, preserving and for ceremonies. It also provided a central point for social interaction and activities\u003c\/p\u003e\n\u003cp\u003eJirrbal \/ Girramay Traditional Owner\u003cbr\u003eWeaver and Painter\u003c\/p\u003e\n\u003cp\u003eTheresa Beeron is a Jirrbal and Girramay Traditional Owner of the North Murray Area. She is a holder of traditional knowledge and currently lives at Murray Upper, north-west of Cardwell.\u003c\/p\u003e\n\u003cp\u003eTheresa was taught to weave the traditional baskets of the Jirrbal and Girramay people by her mother when she was young. She specialises in finely crafted mindi baskets made with special rainforest and river grasses. Theresa also creates the other traditional basket styles such as burrajingal and jawun from lawyer cane. As Theresa’s mother did, Theresa continues to pass on her weaving skills to the younger generations.\u003c\/p\u003e\n\u003cp\u003eTheresa is also a painter and potter and her work reflects her Aboriginal heritage, traditional stories and the environment in which she lives. Her artwork is held in a number of institutional including Artbank, Sydney, and the Queensland Art Gallery and many private collections.\u003c\/p\u003e\n\u003cp\u003eTheresa has exhibited her work in numerous exhibitions and is regularly called on to run workshops, for cultural advice and to talk about her work.\u003c\/p\u003e\n\u003cp\u003eLocated in Cardwell, Queensland, Girringun represents artists from nine Traditional Owner Groups: the Nywaigi, Gugu Badhan, Warrgamay, Warungnu, Bandjin, Girramay, Gulngay, Jirrbal and Djiru people.\u003c\/p\u003e\n\u003cp\u003eThe traditional country of these groups covers some 25,000 square kilometres of country in the state’s far-North. Objects from this country are significantly different from those of much of the rest of Australia. Weaving is done by both men and women, and the diversity of resources between land and sea have resulted in a vast array of implements being crafted for use.\u003c\/p\u003e\n\u003cp\u003eA living functioning art centre, it is not unusual to see artists in the workshop developing new work and honing their craft. The stories and environments of this ancient culture are being transformed daily into visual images and designs by weavers, painters, potters, textile artists, and makers of traditional objects.\u003c\/p\u003e\n\u003cp\u003eThese artists bring to life the unique cultural story and expression of the distinctive Aboriginal rainforest art traditions and culture of the Girringun region, to share with the world.\u003c\/p\u003e\n\u003cp\u003eTHERESA BEERON | 'Bagu with Jiman' | Ceramic and wood | 29.5 (H) x 12 (W) x 7 (D) cm \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Theresa Beeron","offers":[{"title":"Default Title","offer_id":43437562265679,"sku":"TB252-16","price":735.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/TB252-16a.jpg?v=1753237853"},{"product_id":"bulb03","title":"BULBURA CREATIONS | ‘Dubal (Coolamon) – large’ | Aboriginal Artefact \/ Molloy Red Box","description":"\u003cp\u003e\u003cstrong\u003e‘Bulbura Creations’\u003c\/strong\u003e \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003eKuku Yalanji \/ Birri Gubba \/ Warrgamay\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e‘Bulbura’ originates from the Birri Gubba language, and was also the language name given to Liam by his late Grandmother. \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003eThe word ‘Bulbura’ translates to Echidna; which embodies a connection to land and kin and also a pathway to healing. \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003eThe name ‘Bulbura’ is spoken with a reminder that, like the echidna, he can protect, endure, and nurture.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the artist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBulbura is a cultural artist and jewellery maker whose practice centres on Aboriginal heritage, storytelling and the preservation of cultural knowledge through authentic artefacts and wearable art.\u003c\/p\u003e\n\u003cp\u003eDrawing inspiration from ancestral artefacts, symbols and traditional materials, Bulbura has also begun transforming cultural narratives into miniature wearable forms that honour both history and contemporary identity.\u003c\/p\u003e\n\u003cp\u003eRooted in Gimuy\/Cairns, Bulbura is strengthened by his bloodlines stretching between Wujal Wujal to Stradbroke Island.  Bulbura approaches each piece with deep cultural respect, viewing jewellery not merely as adornment but as a living artefact – a vessel for memory, connection and stories.\u003c\/p\u003e\n\u003cp\u003eThrough careful craftsmanship, use of traditional materials and modern techniques, Bulbura’s work bridges generations, allowing culture to be carried, worn and shared.\u003c\/p\u003e\n\u003cp\u003eEach miniature artefact reflects themes of connection to country, ancestral resilience and continuity, inviting the wearer to engage with culture in an intimate and meaningful way.\u003c\/p\u003e\n\u003cp\u003e“The wood we use for our items are reclaimed and handed to us by local custodians (and traditional owners) from Cape York, Wujal, Cardwell, Mossman, Yarrabah. Many are picked up after vegetation fires. Bulbura does not cut any trees down and any wood reclaimed by us is on our ancestral lands, all other wood given by permission from local custodians of specific areas.”\u003c\/p\u003e\n\u003cp\u003eBy blending traditional knowledge with contemporary design, Bulbura creates works that celebrate Aboriginal identity while ensuring cultural stories continue to live beyond galleries and into everyday life.\u003c\/p\u003e\n\u003cp\u003e“For me culture is not an inheritance, it is a living breathing medicine. In reconnecting with culture through family, language, craft and ceremony, I have found the tools to turn grief into growth.” – Liam Cashmere\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e'Dubal' Coolamon \u003co:p\u003e\u003c\/o:p\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eMade by men for women, used as a wooden vessel to carry babies, food or water. \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eOriginally coolamons are made from scarring the bark from a tree. \u003ci\u003eBulbura’s\u003c\/i\u003e coolamons are hand crafted by reclaimed wood.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBULBURA CREATIONS | ‘Dubal (Coolamon) – large’ | 2025 | Aboriginal Artefact \/ Molloy Red Box | 38.5 (l) x 25 (w) x 9 (h) cm\u003c\/p\u003e","brand":"Bulbura Creations","offers":[{"title":"Default Title","offer_id":44419456499791,"sku":"BULB03","price":640.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/BULB03-A.png?v=1769649599"},{"product_id":"bulb08","title":"BULBURA CREATIONS | ‘Wangal (Ceremonial Boomerang) - large’ | Aboriginal Artefact \/ Cape York Red Gum","description":"\u003cp\u003e\u003cstrong\u003e‘Bulbura Creations’\u003c\/strong\u003e \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003eKuku Yalanji \/ Birri Gubba \/ Warrgamay\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e‘Bulbura’ originates from the Birri Gubba language, and was also the language name given to Liam by his late Grandmother. \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003eThe word ‘Bulbura’ translates to Echidna; which embodies a connection to land and kin and also a pathway to healing. \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003eThe name ‘Bulbura’ is spoken with a reminder that, like the echidna, he can protect, endure, and nurture.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the artist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBulbura is a cultural artist and jewellery maker whose practice centres on Aboriginal heritage, storytelling and the preservation of cultural knowledge through authentic artefacts and wearable art.\u003c\/p\u003e\n\u003cp\u003eDrawing inspiration from ancestral artefacts, symbols and traditional materials, Bulbura has also begun transforming cultural narratives into miniature wearable forms that honour both history and contemporary identity.\u003c\/p\u003e\n\u003cp\u003eRooted in Gimuy\/Cairns, Bulbura is strengthened by his bloodlines stretching between Wujal Wujal to Stradbroke Island.  Bulbura approaches each piece with deep cultural respect, viewing jewellery not merely as adornment but as a living artefact – a vessel for memory, connection and stories.\u003c\/p\u003e\n\u003cp\u003eThrough careful craftsmanship, use of traditional materials and modern techniques, Bulbura’s work bridges generations, allowing culture to be carried, worn and shared.\u003c\/p\u003e\n\u003cp\u003eEach miniature artefact reflects themes of connection to country, ancestral resilience and continuity, inviting the wearer to engage with culture in an intimate and meaningful way.\u003c\/p\u003e\n\u003cp\u003e“The wood we use for our items are reclaimed and handed to us by local custodians (and traditional owners) from Cape York, Wujal, Cardwell, Mossman, Yarrabah. Many are picked up after vegetation fires. Bulbura does not cut any trees down and any wood reclaimed by us is on our ancestral lands, all other wood given by permission from local custodians of specific areas.”\u003c\/p\u003e\n\u003cp\u003eBy blending traditional knowledge with contemporary design, Bulbura creates works that celebrate Aboriginal identity while ensuring cultural stories continue to live beyond galleries and into everyday life.\u003c\/p\u003e\n\u003cp\u003e“For me culture is not an inheritance, it is a living breathing medicine. 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Her practice has developed into the making of unique woven bags that bring together land and water relationships through color, techniques, and materials. Paula Savage is a master weaver and utilises a myriad of locally sourced and commercial materials to create her pieces. These include raffia, cotton, jute, seagrass chord and ghostnet, seeds and shells washed up on the beach close to Kubin Village on Moa Island. Paula uses the traditional ‘one twist’ method. She creates a range of items, including baskets and bags with handles. Her style is instantly recognisable. Weavings are adorned with thin or thick plaited straps, long tassels and sometimes materials she collects from the beach and island. Paula’s woven pieces use dyes that\u003c\/p\u003e\n\u003cp\u003ePAULA SAVAGE - Moa Island | 'Migi Bag #407' | Woven rafia + jute | 2026 | 7 x 7 cm \u003c\/p\u003e","brand":"Paula Savage","offers":[{"title":"Default Title","offer_id":67715362848847,"sku":"MOA26-407","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/Untitled-April10_2026at14.03.18_2_48272648-9d21-4822-9a72-1f059e13d449.png?v=1792472972"},{"product_id":"moa26-406","title":"PAULA SAVAGE - Moa Island | 'Migi Bag #406' | Woven rafia + jute | 2026","description":"\u003cp\u003ePAULA SAVAGE is from the Dabugal clan of Moa Island and the Kaurareg clan of Muralag (Prince of Wales Island). An artist at the Ngalmun Lagau Minaral Art Centre - Moa Arts, Paula works across weaving, printmaking, and jewellery to share contemporary expressions of Torres Strait Islander culture and ancestral stories. Her practice has developed into the making of unique woven bags that bring together land and water relationships through color, techniques, and materials. Paula Savage is a master weaver and utilises a myriad of locally sourced and commercial materials to create her pieces. These include raffia, cotton, jute, seagrass chord and ghostnet, seeds and shells washed up on the beach close to Kubin Village on Moa Island. Paula uses the traditional ‘one twist’ method. She creates a range of items, including baskets and bags with handles. Her style is instantly recognisable. Weavings are adorned with thin or thick plaited straps, long tassels and sometimes materials she collects from the beach and island. Paula’s woven pieces use dyes that\u003c\/p\u003e\n\u003cp\u003ePAULA SAVAGE - Moa Island | 'Migi Bag #406' | Woven rafia + jute | 2026 | 9 x 9 cm \u003c\/p\u003e","brand":"Paula Savage","offers":[{"title":"Default Title","offer_id":67715379396687,"sku":"MOA26-406","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/Untitled-April10_2026at14.03.18_2_1f1d9c0f-de49-4c3c-9d7c-53f20d076cbe.png?v=1792472939"},{"product_id":"moa26-411","title":"PAULA SAVAGE - Moa Island | 'Migi Bag #411' | Woven rafia + jute | 2026","description":"\u003cp\u003ePAULA SAVAGE is from the Dabugal clan of Moa Island and the Kaurareg clan of Muralag (Prince of Wales Island). An artist at the Ngalmun Lagau Minaral Art Centre - Moa Arts, Paula works across weaving, printmaking, and jewellery to share contemporary expressions of Torres Strait Islander culture and ancestral stories. Her practice has developed into the making of unique woven bags that bring together land and water relationships through color, techniques, and materials. Paula Savage is a master weaver and utilises a myriad of locally sourced and commercial materials to create her pieces. These include raffia, cotton, jute, seagrass chord and ghostnet, seeds and shells washed up on the beach close to Kubin Village on Moa Island. Paula uses the traditional ‘one twist’ method. She creates a range of items, including baskets and bags with handles. Her style is instantly recognisable. Weavings are adorned with thin or thick plaited straps, long tassels and sometimes materials she collects from the beach and island. 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