{"title":"Intimate Worlds III","description":"\u003ch3\u003e17 October — 24 December 2026\u003c\/h3\u003e\n\u003ch2\u003eANNIKA \u003cspan\u003eHARDING\u003c\/span\u003e, JULIE \u003cspan\u003ePOULSEN\u003c\/span\u003e, KERRY \u003cspan\u003eKLIMM\u003c\/span\u003e, LIAM \u003cspan\u003eCASHMERE\u003c\/span\u003e, TETSUYA \u003cspan\u003eTABATA\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-pm-slice=\"0 0 []\"\u003e\u003cem\u003e\u003cstrong\u003eIntimate Worlds III\u003c\/strong\u003e\u003c\/em\u003e brings together five NorthSite makers whose practices consider the shifting relationship between material, process and form. Working across the space between art and design, the artists engage in deliberate, tactile and experimental processes that allow materials to direct, resist and transform the work.\u003c\/p\u003e\n\u003cp\u003eRooted in curiosity, attention and sustained making, these practices reveal the intimate relationship between artist and material. Across the exhibition, traces of process, time and transformation remain visible, offering insight into the considered acts of making that shape each week.\u003c\/p\u003e","products":[{"product_id":"inanha9","title":"ANNIKA HARDING | 'Affinity for water' | 2026 | Acrylic on timber offcut | 115 x 75 x 35 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003e'These intimate small paintings explore the child’s perspective of engaging with the natural world. They were developed from walks with the artist’s children, observing interactions with much loved places. Each painting is displayed with a complementary one from the same landscape, representing the way the children move through and experience the world as well as the many pauses for ‘close looking’.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eMosses have been a particular obsession, through the long wet season and a re-reading of Gathering Moss by Robin Wall Kimmerer. Like children, mosses ask us to get close to ground and surfaces and become curious about their tiny worlds. They need enough open space and water to grow, and are often part of a community that reproduces when particular conditions are met. This year the artist’s family have stopped to look at the verdant, feathery, tendrilled and soft carpets of moss near home on the Atherton Tablelands, all thriving during a wet year, as well the hardy yellow-green mosses carpeting the bush during a foggy, dewy Canberra winter morning while visiting favourite places near where they used to live.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWhile specific to people and places that are part of the artist’s ‘intimate world’, Annika hopes they will resonate with viewers’ own experience of childhood, or experiencing the world through the children in their lives, or the experience of their inner child that probably wants to slow down and revel in the natural world.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWorking predominantly in thin layers of acrylic paint on timber, these are the first works in which Annika has experimented with whittling to achieve rounded edges in some of the free-standing paintings. She wanted to explore more organic forms, with unclear boundaries of the painted surface, and an even more intimate relationship to the hand.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese paintings and the walks they reference engage with Ngadjon-Jii Country (Malanda and Topaz areas) and Ngunnawal and Ngambri Country (Aranda Bushland and Black Mountain) with deep respect.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eANNIKA HARDING | 'Affinity for water' | 2026 | Acrylic on timber offcut | 115 x 75 x 35 mm\u003c\/div\u003e","brand":"Annika Harding","offers":[{"title":"Default Title","offer_id":67733263384655,"sku":"INANHA9","price":430.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/Affinity-for-water.jpg?v=1792117284"},{"product_id":"inkekl33","title":"KERRY KLIMM | 'Worth less, worthless I' | 2026 | Olive oil bottle plastic lids \/ jewels \/ acetate \/ alcohol ink | 145 x 205 x mm","description":"\u003cp\u003e\u003cspan\u003e\"Plastics are one of the greatest waste materials choking our planet, everywhere \u0026amp; in everything, including inside humans.This piece imagines a breastplate today. Would it be worth less to the Aboriginal person it is bequeathed to compared to an original piece? Would it be worthless, like discarded plastic killing us?\" - Kerry Klimm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKERRY KLIMM | 'Worth less, worthless I' | 2026 | olive oil bottle plastic lids \/ jewels \/ acetate \/ alcohol ink |145 x 205 x mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FLASH BLAK","offers":[{"title":"Default Title","offer_id":67733263614031,"sku":"INKEKL33","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/7_aa42dcd4-d075-4679-a028-f6d9998b82fc.jpg?v=1792117286"},{"product_id":"inkekl28","title":"KERRY KLIMM | 'Defenders II' | 2026 | Paperbark on recycled plastic \/ thick felt backing \/ dried flowers and shells | Matrix: 135 x 185 x mm","description":"\u003cp\u003e\u003cspan\u003e\"Aboriginal people are Country and Country is us.This piece reimagines breastplates as a gorget worn by Aboriginal people as protectors and defenders of Country. Paperbark, flowers and shells adorn capturing the beauty of Country, from desert to the sea.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKERRY KLIMM | 'Defenders II' | 2026 | Paperbark on recycled plastic \/ thick felt backing \/ dried flowers and shells | Matrix: 135 x 185 x mm\u003c\/span\u003e\u003c\/p\u003e","brand":"FLASH BLAK","offers":[{"title":"Default Title","offer_id":67733263876175,"sku":"INKEKL28","price":550.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/2_223daa6e-c3ce-46ae-bbee-ba7b066dfdd1.png?v=1792117293"},{"product_id":"inanha8","title":"ANNIKA HARDING | 'Close looking (Mossy rock, Topaz)' | 2026 | Acrylic on timber offcut |45 x 45 x 30 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003e'These intimate small paintings explore the child’s perspective of engaging with the natural world. They were developed from walks with the artist’s children, observing interactions with much loved places. Each painting is displayed with a complementary one from the same landscape, representing the way the children move through and experience the world as well as the many pauses for ‘close looking’.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eMosses have been a particular obsession, through the long wet season and a re-reading of Gathering Moss by Robin Wall Kimmerer. Like children, mosses ask us to get close to ground and surfaces and become curious about their tiny worlds. They need enough open space and water to grow, and are often part of a community that reproduces when particular conditions are met. This year the artist’s family have stopped to look at the verdant, feathery, tendrilled and soft carpets of moss near home on the Atherton Tablelands, all thriving during a wet year, as well the hardy yellow-green mosses carpeting the bush during a foggy, dewy Canberra winter morning while visiting favourite places near where they used to live.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWhile specific to people and places that are part of the artist’s ‘intimate world’, Annika hopes they will resonate with viewers’ own experience of childhood, or experiencing the world through the children in their lives, or the experience of their inner child that probably wants to slow down and revel in the natural world.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWorking predominantly in thin layers of acrylic paint on timber, these are the first works in which Annika has experimented with whittling to achieve rounded edges in some of the free-standing paintings. She wanted to explore more organic forms, with unclear boundaries of the painted surface, and an even more intimate relationship to the hand.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese paintings and the walks they reference engage with Ngadjon-Jii Country (Malanda and Topaz areas) and Ngunnawal and Ngambri Country (Aranda Bushland and Black Mountain) with deep respect.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eANNIKA HARDING | 'Close looking (Mossy rock, Topaz)' | 2026 | Acrylic on timber offcut |45 x 45 x 30 mm\u003c\/div\u003e","brand":"Annika Harding","offers":[{"title":"Default Title","offer_id":67733264105551,"sku":"INANHA8","price":170.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/Close-looking_Mossy-rock-Topaz.jpg?v=1792117294"},{"product_id":"inkekl30","title":"KERRY KLIMM | 'Bitter Blak' | 2026 | Sewn dried used teabags \/ stamped bitter blak  \/ imitation pearls \/ teabag rossette\/ black felt board | Matrix: 140 x 220 x mm","description":"\u003cp\u003e\u003cspan\u003e\"This piece is an extension of my growing body of work 'Spill the tea,on the colony.' using tea to speak truths about the ongoing brutality of the colony.Tea represents stolen lands, children, wealth and health. It also represents Blak love, joy and rage. With each sip we will hold space for each other. With each sip we will stand in our blak power and remind the colony of its crimes. We are Bitter Blaks, and we have been brewing since 1770.Pearls often feature in my works, in honour of my mum and Auntie Paula.\" - Kerry Klimm \u003c\/span\u003e\u003c\/p\u003e","brand":"FLASH BLAK","offers":[{"title":"Default Title","offer_id":67733264236623,"sku":"INKEKL30","price":800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/4_cef9d017-8432-4b81-a5cd-c54c1eb529b9.png?v=1792117298"},{"product_id":"inanha3","title":"ANNIKA HARDING | 'Leading the way' | 2026 | Acrylic on timber offcut | 100 x 50 x 30 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003e'These intimate small paintings explore the child’s perspective of engaging with the natural world. They were developed from walks with the artist’s children, observing interactions with much loved places. Each painting is displayed with a complementary one from the same landscape, representing the way the children move through and experience the world as well as the many pauses for ‘close looking’.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eMosses have been a particular obsession, through the long wet season and a re-reading of Gathering Moss by Robin Wall Kimmerer. Like children, mosses ask us to get close to ground and surfaces and become curious about their tiny worlds. They need enough open space and water to grow, and are often part of a community that reproduces when particular conditions are met. This year the artist’s family have stopped to look at the verdant, feathery, tendrilled and soft carpets of moss near home on the Atherton Tablelands, all thriving during a wet year, as well the hardy yellow-green mosses carpeting the bush during a foggy, dewy Canberra winter morning while visiting favourite places near where they used to live.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWhile specific to people and places that are part of the artist’s ‘intimate world’, Annika hopes they will resonate with viewers’ own experience of childhood, or experiencing the world through the children in their lives, or the experience of their inner child that probably wants to slow down and revel in the natural world.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWorking predominantly in thin layers of acrylic paint on timber, these are the first works in which Annika has experimented with whittling to achieve rounded edges in some of the free-standing paintings. She wanted to explore more organic forms, with unclear boundaries of the painted surface, and an even more intimate relationship to the hand.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese paintings and the walks they reference engage with Ngadjon-Jii Country (Malanda and Topaz areas) and Ngunnawal and Ngambri Country (Aranda Bushland and Black Mountain) with deep respect.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eANNIKA HARDING | 'Leading the way' | 2026 | Acrylic on timber offcut | 100 x 50 x 30 mm\u003c\/div\u003e","brand":"Annika Harding","offers":[{"title":"Default Title","offer_id":67733264367695,"sku":"INANHA3","price":430.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/Leading-the-way.jpg?v=1792117299"},{"product_id":"inbucr19","title":"BULBURA CREATIONS | 'Knowledge Carried Through Generations' | Kalka (Miniature Spear) | 2026 | Bamboo \/ Grass tree resin |725 x 23 x 50 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\u003cspan fontscheme=\"2\"\u003eFor Liam, the spear is a symbol of protection, responsibility and the connection between his ancestors, his Country and the generations that follow.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cspan fontscheme=\"2\"\u003eAlthough small, this spear represents something much greater — the knowledge, strength and survival of his people.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cspan fontscheme=\"2\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cstrong fontscheme=\"2\"\u003e“Small in form, Strong in Spirit”\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cstrong fontscheme=\"2\"\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cspan fontscheme=\"2\"\u003eThe spear connects the miniature artefacts and expresses the idea that cultural knowledge, craftsmanship and identity cannot be measured by size.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cspan fontscheme=\"2\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cspan fontscheme=\"2\"\u003eBULBURA CREATIONS | 'Knowledge Carried Through Generations' | Kalka (Miniature Spear) | 2026 | Bamboo \/ Grass tree resin |725 x 23 x 50 mm\u003c\/span\u003e\u003c\/div\u003e","brand":"Bulbura Creations","offers":[{"title":"Default Title","offer_id":67733264498767,"sku":"INBUCR19","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/LC2.png?v=1792117302"},{"product_id":"inanha4","title":"ANNIKA HARDING | 'Close looking (Aranda Bushland)' | 2026 | Acrylic on timber offcut | 40 x 40 x 35 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003e'These intimate small paintings explore the child’s perspective of engaging with the natural world. They were developed from walks with the artist’s children, observing interactions with much loved places. Each painting is displayed with a complementary one from the same landscape, representing the way the children move through and experience the world as well as the many pauses for ‘close looking’.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eMosses have been a particular obsession, through the long wet season and a re-reading of Gathering Moss by Robin Wall Kimmerer. Like children, mosses ask us to get close to ground and surfaces and become curious about their tiny worlds. They need enough open space and water to grow, and are often part of a community that reproduces when particular conditions are met. This year the artist’s family have stopped to look at the verdant, feathery, tendrilled and soft carpets of moss near home on the Atherton Tablelands, all thriving during a wet year, as well the hardy yellow-green mosses carpeting the bush during a foggy, dewy Canberra winter morning while visiting favourite places near where they used to live.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWhile specific to people and places that are part of the artist’s ‘intimate world’, Annika hopes they will resonate with viewers’ own experience of childhood, or experiencing the world through the children in their lives, or the experience of their inner child that probably wants to slow down and revel in the natural world.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWorking predominantly in thin layers of acrylic paint on timber, these are the first works in which Annika has experimented with whittling to achieve rounded edges in some of the free-standing paintings. She wanted to explore more organic forms, with unclear boundaries of the painted surface, and an even more intimate relationship to the hand.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese paintings and the walks they reference engage with Ngadjon-Jii Country (Malanda and Topaz areas) and Ngunnawal and Ngambri Country (Aranda Bushland and Black Mountain) with deep respect.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eANNIKA HARDING | 'Close looking (Aranda Bushland)' | 2026 | Acrylic on timber offcut | 40 x 40 x 35 mm\u003c\/div\u003e","brand":"Annika Harding","offers":[{"title":"Default Title","offer_id":67733264728143,"sku":"INANHA4","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/Close-looking_Aranda-Bushland.jpg?v=1792117305"},{"product_id":"inkekl35","title":"KERRY KLIMM | 'Worth less, worthless III' | 2026 | Milk bottle lids \/ water bottle lids \/ imitation pearls |120 x 200 x mm","description":"\u003cp\u003e\u003cspan\u003e\"Plastics are one of the greatest waste materials choking our planet, everywhere \u0026amp; in everything, including inside humans.This piece imagines a breastplate today. Would it be worth less to the Aboriginal person it is bequeathed to compared to an original piece? Would it be worthless, like discarded plastic killing us?\" - Kerry Klimm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKERRY KLIMM | 'Worth less, worthless III' | 2026 | Milk bottle lids \/ water bottle lids \/ imitation pearls |120 x 200 x mm\u003c\/p\u003e","brand":"FLASH BLAK","offers":[{"title":"Default Title","offer_id":67733264990287,"sku":"INKEKL35","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/9_357ab37f-d2cc-441a-8bee-d86900d9928c.png?v=1792117309"},{"product_id":"inanha10","title":"ANNIKA HARDING | 'Close looking (Malanda Falls)' | 2026 | Acrylic on timber offcut | 45 x 55 x 40 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003e'These intimate small paintings explore the child’s perspective of engaging with the natural world. They were developed from walks with the artist’s children, observing interactions with much loved places. Each painting is displayed with a complementary one from the same landscape, representing the way the children move through and experience the world as well as the many pauses for ‘close looking’.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eMosses have been a particular obsession, through the long wet season and a re-reading of Gathering Moss by Robin Wall Kimmerer. Like children, mosses ask us to get close to ground and surfaces and become curious about their tiny worlds. They need enough open space and water to grow, and are often part of a community that reproduces when particular conditions are met. This year the artist’s family have stopped to look at the verdant, feathery, tendrilled and soft carpets of moss near home on the Atherton Tablelands, all thriving during a wet year, as well the hardy yellow-green mosses carpeting the bush during a foggy, dewy Canberra winter morning while visiting favourite places near where they used to live.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWhile specific to people and places that are part of the artist’s ‘intimate world’, Annika hopes they will resonate with viewers’ own experience of childhood, or experiencing the world through the children in their lives, or the experience of their inner child that probably wants to slow down and revel in the natural world.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWorking predominantly in thin layers of acrylic paint on timber, these are the first works in which Annika has experimented with whittling to achieve rounded edges in some of the free-standing paintings. She wanted to explore more organic forms, with unclear boundaries of the painted surface, and an even more intimate relationship to the hand.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese paintings and the walks they reference engage with Ngadjon-Jii Country (Malanda and Topaz areas) and Ngunnawal and Ngambri Country (Aranda Bushland and Black Mountain) with deep respect.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eANNIKA HARDING | 'Close looking (Malanda Falls)' | 2026 | Acrylic on timber offcut | 45 x 55 x 40 mm\u003c\/div\u003e","brand":"Annika Harding","offers":[{"title":"Default Title","offer_id":67733265219663,"sku":"INANHA10","price":170.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/IMG_8460.jpg?v=1792117310"},{"product_id":"inkekl32","title":"KERRY KLIMM | 'Blak Love' | 2026 | Clay made from used teabags \/ tea bag string \/ uv resin | 110 x 170 x mm","description":"\u003cp\u003e\u003cspan\u003e\"This piece is an extension of my growing body of work 'Spill the tea,on the colony.' Using tea to speak truths about the ongoing brutality of the colony.This is a very emotional piece, as I reflect on the history of the breastplate, and in doing so offer Mob who were bestowed one, nothing but blak love. We are all surviving in the colony and our actions may not always be clear or understood. In these moments it is not for us to question why mob wore a breastplate and the ramifications which may continue today, but to offer love, for those who survived the violence.\" - Kerry Klimm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKERRY KLIMM | 'Blak Love' | 2026 | Clay made from used teabags \/ tea bag string \/ uv resin | 110 x 170 x mm\u003c\/span\u003e\u003c\/p\u003e","brand":"FLASH BLAK","offers":[{"title":"Default Title","offer_id":67733265252431,"sku":"INKEKL32","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/6_5cb19e01-44ce-46bb-9d38-affa765f6c68.png?v=1792117312"},{"product_id":"inkekl29","title":"KERRY KLIMM | 'Not my king' | 2026 | Palm sheath \/ dried flowers |800 x 155 x mm","description":"\u003cp\u003e\u003cspan\u003e\"Everything has been and continues to be about land and the raping and pillaging by the colony. Country is living, it lives in us and we are Country. This piece gives Country her voice, to speak against the violence inflected on her - 'not my king' she whispers.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKERRY KLIMM | 'Not my king' | 2026 | Palm sheath \/ dried flowers | 800 x 155 x mm\u003c\/span\u003e\u003c\/p\u003e","brand":"FLASH BLAK","offers":[{"title":"Default Title","offer_id":67733265481807,"sku":"INKEKL29","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/3_b3dac52f-42a5-46ad-81bc-03ddf9261f4f.png?v=1792117315"},{"product_id":"inkekl31","title":"KERRY KLIMM | 'Not worth the paper it's written on' | 2026 | Used tea bags \/ egg cartons | 165 x 185 x mm","description":"\u003cp\u003e\u003cspan\u003e\"This piece is an extension of my growing body of work 'Spill the tea,on the colony.' using tea and derivitives to speak truths about the ongoing brutality of the colony.Tea was part of the rations given in return for stolen lands. Tea, sugar, flour the 'Aborigines Starvation Diet.' Everything documented by the colonists a lie, like terra nullius. Yet they still teach false histories in schools, celebrate attempted genocide all because it was 'written on paper.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKERRY KLIMM | 'Not worth the paper it's written on' | 2026 | Used tea bags \/ egg cartons | 165 x 185 x mm\u003c\/span\u003e\u003c\/p\u003e","brand":"FLASH BLAK","offers":[{"title":"Default Title","offer_id":67733265711183,"sku":"INKEKL31","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/5_43417c87-3887-4185-bf51-e6511f14f0a3.png?v=1792117317"},{"product_id":"inbucr17","title":"BULBURA CREATIONS | 'Echoes of our Ancestors' | Wangal (Miniature Ceremonial Boomerangs) | 2026 | Carved blood gum (Yarrabah) |120 x 60 x 20 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eFor Liam, ceremonial boomerangs represent the importance of returning to culture.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese ceremonial boomerangs symbolise connection, belonging and the importance of keeping culture strong.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eFor Liam, they honour the people who came before him, the stories that have been shared and the knowledge that continues to be passed down through generations.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\"Our ancestors carried the knowledge. Our responsibility is to keep it alive.\"\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eBULBURA CREATIONS | 'Echoes of our Ancestors' | Wangal (Miniature Ceremonial Boomerangs) | 2026 | Carved blood gum (Yarrabah) | 120 x 60 x 20 mm\u003c\/div\u003e","brand":"Bulbura Creations","offers":[{"title":"Default Title","offer_id":67733265940559,"sku":"INBUCR17","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/LC5.png?v=1792117319"},{"product_id":"inbucr21","title":"BULBURA CREATIONS | 'The Heartbeat of Our Ancestors' | Bilma (Miniature Clapsticks) | 2026 | Blood gum | 100 x 60 x 20 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eClapsticks represent the heartbeat of Culture — the rhythm of ancestors, the strength of community and the connection between generations.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eFor Liam, that heartbeat lives on when his children dance and when family comes together.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese pieces honour those connections and his responsibility to help carry them forward.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cp\u003eBULBURA CREATIONS | 'The Heartbeat of Our Ancestors' | Bilma (Miniature Clapsticks) | 2026 | Blood gum | 100 x 60 x 20 mm\u003c\/p\u003e","brand":"Bulbura Creations","offers":[{"title":"Default Title","offer_id":67733265973327,"sku":"INBUCR21","price":146.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/LC6.png?v=1792117321"},{"product_id":"inanha7","title":"ANNIKA HARDING | 'Feeling' | 2026 | Acrylic on timber offcut |90 x 45 x 50 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003e'These intimate small paintings explore the child’s perspective of engaging with the natural world. They were developed from walks with the artist’s children, observing interactions with much loved places. Each painting is displayed with a complementary one from the same landscape, representing the way the children move through and experience the world as well as the many pauses for ‘close looking’.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eMosses have been a particular obsession, through the long wet season and a re-reading of Gathering Moss by Robin Wall Kimmerer. Like children, mosses ask us to get close to ground and surfaces and become curious about their tiny worlds. They need enough open space and water to grow, and are often part of a community that reproduces when particular conditions are met. This year the artist’s family have stopped to look at the verdant, feathery, tendrilled and soft carpets of moss near home on the Atherton Tablelands, all thriving during a wet year, as well the hardy yellow-green mosses carpeting the bush during a foggy, dewy Canberra winter morning while visiting favourite places near where they used to live.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWhile specific to people and places that are part of the artist’s ‘intimate world’, Annika hopes they will resonate with viewers’ own experience of childhood, or experiencing the world through the children in their lives, or the experience of their inner child that probably wants to slow down and revel in the natural world.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWorking predominantly in thin layers of acrylic paint on timber, these are the first works in which Annika has experimented with whittling to achieve rounded edges in some of the free-standing paintings. She wanted to explore more organic forms, with unclear boundaries of the painted surface, and an even more intimate relationship to the hand.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese paintings and the walks they reference engage with Ngadjon-Jii Country (Malanda and Topaz areas) and Ngunnawal and Ngambri Country (Aranda Bushland and Black Mountain) with deep respect.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eANNIKA HARDING | 'Feeling' | 2026 | Acrylic on timber offcut | 90 x 45 x 50 mm\u003c\/div\u003e","brand":"Annika Harding","offers":[{"title":"Default Title","offer_id":67733266202703,"sku":"INANHA7","price":430.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/Feeling.jpg?v=1792117324"},{"product_id":"inbucr20","title":"BULBURA CREATIONS | 'Guided by those before me' | Mirrba (Miniature Woomera) | 2026 | Blood Gum (Yarrabah) \/ Dugong bone \/ Grass tree resin | 220 x 20 x 10 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eFor Liam, the woomera represents guidance, support and the strength of knowledge passed down through generations.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAs a spear thrower, it helps carry the spear forward. Liam sees this as a reflection of his own journey — the way family, culture and connection to Country have supported him through grief, loss and the process of rebuilding himself.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThe woomera reminds Liam that moving forward does not mean leaving the past behind. He carries the love and teachings of those before him into what he creates and what he shares with the next generation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eBULBURA CREATIONS | 'Guided by those before me' | Mirrba (Miniature Woomera) | 2026 | Blood Gum (Yarrabah) \/ Dugong bone \/ Grass tree resin | 220 x 20 x 10 mm\u003c\/div\u003e","brand":"Bulbura Creations","offers":[{"title":"Default Title","offer_id":67733266432079,"sku":"INBUCR20","price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/LC4.png?v=1792117326"},{"product_id":"inbucr12","title":"BULBURA CREATIONS | 'What Country holds' | Balan Bigin (Rainforest Shield) | 2026 | Carved blood gum (Yarrabah)\/ Ochre inlay | 660 x 350 x 90 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eTraditionally associated with defence and protection, the shield symbolises Liam’s responsibility as a father and protector of his family. It also represents the emotional battles he has faced throughout his life, including grief, loss and mental health challenges.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWhile a shield is often seen as a symbol of physical strength, Liam’s work explores another side of protection — the courage to acknowledge pain, seek healing and rebuild oneself.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eFor Liam, strength is not simply about shielding himself from hardship. It is about facing what he carries, finding ways to heal, and continuing to stand strong for himself, his family and the generations that follow.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eBULBURA CREATIONS | 'What Country holds' | Balan Bigin (Rainforest Shield) | 2026 | Carved blood gum (Yarrabah)\/ Ochre inlay | 660 x 350 x 90 mm\u003c\/div\u003e","brand":"Bulbura Creations","offers":[{"title":"Default Title","offer_id":67733266563151,"sku":"INBUCR12","price":2750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/shield-1-copy.jpg?v=1792117328"},{"product_id":"inbucr18","title":"BULBURA CREATIONS | 'Carrying Strength, Providing for tomorrow' | Wangal (Miniature Hunting Boomerang) | 2026 | Carved Red Gum (Cairns) |156 x 90 x 10 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eThe hunting boomerang represents providing for family, resilience and the knowledge that helps people navigate life.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThe work reflects Liam’s commitment as a father to nourish and support his family — physically, emotionally and culturally.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThis miniature hunting boomerang symbolises his responsibility as a father and the strength he draws from family, culture and Country.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eFor Liam, providing means putting food on the table, being present for his children and helping them grow with love, belonging and pride in who they are.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eBULBURA CREATIONS | 'Carrying Strength, Providing for tomorrow' | Wangal (Miniature Hunting Boomerang) | 2026 | Carved Red Gum (Cairns) |156 x 90 x 10 mm\u003c\/div\u003e","brand":"Bulbura Creations","offers":[{"title":"Default Title","offer_id":67733266694223,"sku":"INBUCR18","price":185.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/LCcopy.jpg?v=1792117835"},{"product_id":"inanha6","title":"ANNIKA HARDING | 'Close looking (Malanda rainforest walk)' | 2026 | Acrylic on timber offcut |40 x 50 x 40 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003e'These intimate small paintings explore the child’s perspective of engaging with the natural world. They were developed from walks with the artist’s children, observing interactions with much loved places. Each painting is displayed with a complementary one from the same landscape, representing the way the children move through and experience the world as well as the many pauses for ‘close looking’.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eMosses have been a particular obsession, through the long wet season and a re-reading of Gathering Moss by Robin Wall Kimmerer. Like children, mosses ask us to get close to ground and surfaces and become curious about their tiny worlds. They need enough open space and water to grow, and are often part of a community that reproduces when particular conditions are met. This year the artist’s family have stopped to look at the verdant, feathery, tendrilled and soft carpets of moss near home on the Atherton Tablelands, all thriving during a wet year, as well the hardy yellow-green mosses carpeting the bush during a foggy, dewy Canberra winter morning while visiting favourite places near where they used to live.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWhile specific to people and places that are part of the artist’s ‘intimate world’, Annika hopes they will resonate with viewers’ own experience of childhood, or experiencing the world through the children in their lives, or the experience of their inner child that probably wants to slow down and revel in the natural world.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWorking predominantly in thin layers of acrylic paint on timber, these are the first works in which Annika has experimented with whittling to achieve rounded edges in some of the free-standing paintings. She wanted to explore more organic forms, with unclear boundaries of the painted surface, and an even more intimate relationship to the hand.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese paintings and the walks they reference engage with Ngadjon-Jii Country (Malanda and Topaz areas) and Ngunnawal and Ngambri Country (Aranda Bushland and Black Mountain) with deep respect.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eANNIKA HARDING | 'Close looking (Malanda rainforest walk)' | 2026 | Acrylic on timber offcut | 40 x 50 x 40 mm\u003c\/div\u003e","brand":"Annika Harding","offers":[{"title":"Default Title","offer_id":67733266923599,"sku":"INANHA6","price":170.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/Close-looking_Malanda-rainforest-walk.jpg?v=1792117333"},{"product_id":"inbucr13","title":"BULBURA CREATIONS | 'The strength I carry' | Worren (Rainforest sword) | 2026 | Carved red gum\/ Resin |810 x 110 x 30 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eFor Liam, strength includes being honest about pain, accepting support and finding a way forward. As a father, this work speaks to his responsibility to stand beside his family, care for their wellbeing and help his children grow with pride in their identity.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAlongside the rainforest shield, this sword expresses his journey of rebuilding, finding the courage to face what hurts, drawing strength from culture and carrying that strength into the life he is creating with his family.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eBULBURA CREATIONS | 'The strength I carry' | Worren (Rainforest sword) | 2026 | Carved red gum \/ resin | 810 x 110 x 30 mm\u003c\/div\u003e","brand":"Bulbura Creations","offers":[{"title":"Default Title","offer_id":67733267054671,"sku":"INBUCR13","price":1285.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/sword-copy.jpg?v=1792117335"},{"product_id":"inanha2","title":"ANNIKA HARDING | 'Close looking (Black Mountain)' | 2026 | Acrylic on timber offcut | 45 x 70 x 30 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003e'These intimate small paintings explore the child’s perspective of engaging with the natural world. They were developed from walks with the artist’s children, observing interactions with much loved places. Each painting is displayed with a complementary one from the same landscape, representing the way the children move through and experience the world as well as the many pauses for ‘close looking’.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eMosses have been a particular obsession, through the long wet season and a re-reading of Gathering Moss by Robin Wall Kimmerer. Like children, mosses ask us to get close to ground and surfaces and become curious about their tiny worlds. They need enough open space and water to grow, and are often part of a community that reproduces when particular conditions are met. This year the artist’s family have stopped to look at the verdant, feathery, tendrilled and soft carpets of moss near home on the Atherton Tablelands, all thriving during a wet year, as well the hardy yellow-green mosses carpeting the bush during a foggy, dewy Canberra winter morning while visiting favourite places near where they used to live.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWhile specific to people and places that are part of the artist’s ‘intimate world’, Annika hopes they will resonate with viewers’ own experience of childhood, or experiencing the world through the children in their lives, or the experience of their inner child that probably wants to slow down and revel in the natural world.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eWorking predominantly in thin layers of acrylic paint on timber, these are the first works in which Annika has experimented with whittling to achieve rounded edges in some of the free-standing paintings. She wanted to explore more organic forms, with unclear boundaries of the painted surface, and an even more intimate relationship to the hand.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese paintings and the walks they reference engage with Ngadjon-Jii Country (Malanda and Topaz areas) and Ngunnawal and Ngambri Country (Aranda Bushland and Black Mountain) with deep respect.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eANNIKA HARDING | 'Close looking (Black Mountain)' | 2026 | Acrylic on timber offcut | 45 x 70 x 30 mm\u003c\/div\u003e","brand":"Annika Harding","offers":[{"title":"Default Title","offer_id":67733267185743,"sku":"INANHA2","price":190.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/Close-looking_Black-Mountain.jpg?v=1792117338"},{"product_id":"inbucr16","title":"BULBURA CREATIONS | 'The Hands That Carried Us' | Dubal (Miniature Coolamon) | 2026 | Carved Iron bark (Mount Carbine) | 45 x 80 x 55 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003e“Even the smallest vessel can carry generations of knowledge”\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eFor Liam, the coolamon honours mothers, grandmothers, aunties and Elders.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eTraditionally used to hold and carry things, the coolamon takes on a deeper meaning in Liam’s work. He explores the idea that Country holds people, just as they carry the knowledge and responsibilities passed down by their ancestors.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eBULBURA CREATIONS | 'The Hands That Carried Us' | Dubal (Miniature Coolamon) | 2026 | Carved Iron bark (Mount Carbine) | 45 x 80 x 55 mm\u003c\/div\u003e","brand":"Bulbura Creations","offers":[{"title":"Default Title","offer_id":67733267415119,"sku":"INBUCR16","price":185.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/LC7.png?v=1792117340"},{"product_id":"inbucr14","title":"BULBURA CREATIONS | 'The Return - Finding my way back' | Wangal (Miniature Returning Boomerang) | 2026 | Blood gum (Yarrabah) | 80 x 170 x 20 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eThe returning boomerang represents something much deeper than a traditional hunting or\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003erecreational tool. For Liam it tells the story of a man finding his way back to himself through culture.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e“I spent years trying to find my way through life, only to discover that everything I needed to heal was\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ewaiting for me in Culture.”\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eBULBURA CREATIONS | 'The Return - Finding my way back' | Wangal (Miniature Returning Boomerang) | 2026 | Blood gum (Yarrabah) | 80 x 170 x 20 mm\u003c\/div\u003e","brand":"Bulbura Creations","offers":[{"title":"Default Title","offer_id":67733267677263,"sku":"INBUCR14","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/LC3.png?v=1792117342"},{"product_id":"inbucr15","title":"BULBURA CREATIONS | 'Where Our Paths Meet' | Wangal (Miniature Cross Boomerangs) | 2026 | Blood gum \/ Black Wattle (Mossman) | 70 x 65 x 20 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eThe cross boomerang represents the intersection of Culture, family, ancestry and healing – four\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eimportant parts of Liam’s journey that have shaped the man, father and artist he is today.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e“Two paths, one connection. Different journeys one story.”\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eBULBURA CREATIONS | 'Where Our Paths Meet' | Wangal (Miniature Cross Boomerangs) | 2026 | Blood gum \/ Black Wattle (Mossman) | 70 x 65 x 20 mm\u003c\/div\u003e","brand":"Bulbura Creations","offers":[{"title":"Default Title","offer_id":67733267710031,"sku":"INBUCR15","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/Cross-boomerang.jpg?v=1792117344"},{"product_id":"inkekl34","title":"KERRY KLIMM | 'Worth less, worthless II' | 2026 | Mixed plastic bottle lids \/ plastic olive oil bottle \/ pearl | 160 x 125 x mm","description":"\u003cp\u003e\u003cspan\u003e\"Plastics are one of the greatest waste materials choking our planet, everywhere \u0026amp; in everything, including inside humans.This piece imagines a breastplate today. Would it be worth less to the Aboriginal person it is bequeathed to compared to an original piece? Would it be worthless, like discarded plastic killing us?\" - Kerry Klimm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKERRY KLIMM | 'Worth less, worthless II' | 2026 | Mixed plastic bottle lids \/ plastic olive oil bottle \/ pearl | 160 x 125 x mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FLASH BLAK","offers":[{"title":"Default Title","offer_id":67733267972175,"sku":"INKEKL34","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/8_86b5812f-d459-435c-8336-abeab2b4bb3d.png?v=1792117347"},{"product_id":"inkekl36","title":"KERRY KLIMM | 'Defenders III' | 2026 | Air dried clay \/ dried flowers \/ uv resin","description":"\u003cp\u003e\u003cspan\u003e\"Aboriginal people are Country and Country is us.This piece reimagines breastplates as a gorget worn by Aboriginal people as protectors and defenders of Country. Brown clay representing Country and white flowers a symbol of purity and innocence. Not yet knowing the violence and cruelty of the colonists, white flowers and earth, soon coloured in blood red.\" - Kerry Klimm\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKERRY KLIMM | 'Defenders III' | 2026 | Air dried clay \/ dried flowers \/ uv resin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FLASH BLAK","offers":[{"title":"Default Title","offer_id":67734091694159,"sku":"INKEKL36","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/KK-copy.jpg?v=1792122002"},{"product_id":"injupo22","title":"JULIE POULSEN | 'Hunky 1' | 2026 | Recycled materials \/ glue \/ ink | 320 x 200 x 190 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eArt college in Toowoomba in the late 1970s was defining. Its artistic culture encouraged independence and experimentation. Technical instruction was limited, but the experience fostered resilience, self-reliance and a willingness to take risks in the studio. These qualities remain central to my practice.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eIn the early 2000s, my process and materials shifted from oils and easel painting to water-based media applied to unstretched canvas on the floor. I began working on unprimed canvas and calico, with house paint becoming a pivotal material. The physical process of applying paint and media eventually determined a finite point of completion. What remained was a growing accumulation of painted remnants and offcuts.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAs the stack grew, the idea of making bags emerged to became an ongoing practice. Neatly stitched and functional, these bags transformed discarded remnants into purposeful objects.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese functional bags became the starting point for Hunkys. The new works are unstitched, glued, inked and roughly constructed. Stripped of their original purpose, they challenge the pristine, purpose-built bag and shift the familiar object into something unresolved, awkward and deliberately non-functional.\u003c\/div\u003e\n\u003cp\u003eJULIE POULSEN | 'Hunky 1' | 2026 | Recycled materials \/ glue \/ ink | 320 x 200 x 190 mm\u003c\/p\u003e","brand":"Julie Poulsen","offers":[{"title":"Default Title","offer_id":67734128590927,"sku":"INJUPO22","price":400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/1_b6bf61b2-1aea-4fb3-b85f-eae2551aca0a.jpg?v=1792122580"},{"product_id":"injupo23","title":"JULIE POULSEN | 'Hunky 2' | 2026 | Recycled materials \/ glue \/ ink | 295 x 150 x 150 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eArt college in Toowoomba in the late 1970s was defining. Its artistic culture encouraged independence and experimentation. Technical instruction was limited, but the experience fostered resilience, self-reliance and a willingness to take risks in the studio. These qualities remain central to my practice.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eIn the early 2000s, my process and materials shifted from oils and easel painting to water-based media applied to unstretched canvas on the floor. I began working on unprimed canvas and calico, with house paint becoming a pivotal material. The physical process of applying paint and media eventually determined a finite point of completion. What remained was a growing accumulation of painted remnants and offcuts.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAs the stack grew, the idea of making bags emerged to became an ongoing practice. Neatly stitched and functional, these bags transformed discarded remnants into purposeful objects.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese functional bags became the starting point for Hunkys. The new works are unstitched, glued, inked and roughly constructed. Stripped of their original purpose, they challenge the pristine, purpose-built bag and shift the familiar object into something unresolved, awkward and deliberately non-functional.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJULIE POULSEN | 'Hunky 2' | 2026 | Recycled materials \/ glue \/ ink | 295 x 150 x 150 mm\u003c\/p\u003e","brand":"Julie Poulsen","offers":[{"title":"Default Title","offer_id":67734130032719,"sku":"INJUPO23","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/2_0a157fb5-35ea-4b48-8bcc-9c8d296e81f9.jpg?v=1792122582"},{"product_id":"injupo24","title":"JULIE POULSEN | 'Hunky 3' | 2026 | Recycled materials \/ glue \/ ink |125 x 155 x 100 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eArt college in Toowoomba in the late 1970s was defining. Its artistic culture encouraged independence and experimentation. Technical instruction was limited, but the experience fostered resilience, self-reliance and a willingness to take risks in the studio. These qualities remain central to my practice.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eIn the early 2000s, my process and materials shifted from oils and easel painting to water-based media applied to unstretched canvas on the floor. I began working on unprimed canvas and calico, with house paint becoming a pivotal material. The physical process of applying paint and media eventually determined a finite point of completion. What remained was a growing accumulation of painted remnants and offcuts.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAs the stack grew, the idea of making bags emerged to became an ongoing practice. Neatly stitched and functional, these bags transformed discarded remnants into purposeful objects.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese functional bags became the starting point for Hunkys. The new works are unstitched, glued, inked and roughly constructed. Stripped of their original purpose, they challenge the pristine, purpose-built bag and shift the familiar object into something unresolved, awkward and deliberately non-functional.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJULIE POULSEN | 'Hunky 3' | 2026 | Recycled materials \/ glue \/ ink |125 x 155 x 100 mm\u003c\/p\u003e","brand":"Julie Poulsen","offers":[{"title":"Default Title","offer_id":67734130229327,"sku":"INJUPO24","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/3-INJUPO24.jpg?v=1792122585"},{"product_id":"injupo25","title":"JULIE POULSEN | 'Hunky 4' | 2026 | Recycled materials \/ glue \/ ink |150 x 200 x 110 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eArt college in Toowoomba in the late 1970s was defining. Its artistic culture encouraged independence and experimentation. Technical instruction was limited, but the experience fostered resilience, self-reliance and a willingness to take risks in the studio. These qualities remain central to my practice.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eIn the early 2000s, my process and materials shifted from oils and easel painting to water-based media applied to unstretched canvas on the floor. I began working on unprimed canvas and calico, with house paint becoming a pivotal material. The physical process of applying paint and media eventually determined a finite point of completion. What remained was a growing accumulation of painted remnants and offcuts.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAs the stack grew, the idea of making bags emerged to became an ongoing practice. Neatly stitched and functional, these bags transformed discarded remnants into purposeful objects.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese functional bags became the starting point for Hunkys. The new works are unstitched, glued, inked and roughly constructed. Stripped of their original purpose, they challenge the pristine, purpose-built bag and shift the familiar object into something unresolved, awkward and deliberately non-functional.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJULIE POULSEN | 'Hunky 4' | 2026 | Recycled materials \/ glue \/ ink |150 x 200 x 110 mm\u003c\/p\u003e","brand":"Julie Poulsen","offers":[{"title":"Default Title","offer_id":67734130491471,"sku":"INJUPO25","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/4_7db48d4c-4b0c-4d94-aaa4-35b40227d218.jpg?v=1792122587"},{"product_id":"injupo26","title":"JULIE POULSEN | 'Hunky 5' | 2026 | Recycled materials \/ glue \/ ink | 230 x 115 x 120 mm","description":"\u003cdiv class=\"ewa-rteLine\"\u003eArt college in Toowoomba in the late 1970s was defining. Its artistic culture encouraged independence and experimentation. Technical instruction was limited, but the experience fostered resilience, self-reliance and a willingness to take risks in the studio. These qualities remain central to my practice.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eIn the early 2000s, my process and materials shifted from oils and easel painting to water-based media applied to unstretched canvas on the floor. I began working on unprimed canvas and calico, with house paint becoming a pivotal material. The physical process of applying paint and media eventually determined a finite point of completion. What remained was a growing accumulation of painted remnants and offcuts.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAs the stack grew, the idea of making bags emerged to became an ongoing practice. Neatly stitched and functional, these bags transformed discarded remnants into purposeful objects.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eThese functional bags became the starting point for Hunkys. The new works are unstitched, glued, inked and roughly constructed. Stripped of their original purpose, they challenge the pristine, purpose-built bag and shift the familiar object into something unresolved, awkward and deliberately non-functional.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJULIE POULSEN | 'Hunky 5' | 2026 | Recycled materials \/ glue \/ ink | 230 x 115 x 120 mm\u003c\/p\u003e","brand":"Julie Poulsen","offers":[{"title":"Default Title","offer_id":67734130720847,"sku":"INJUPO26","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/files\/5_f290394e-cd60-4983-8637-a7f9bfb06645.jpg?v=1792122590"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/2342\/collections\/4_cef9d017-8432-4b81-a5cd-c54c1eb529b9.png?v=1792117479","url":"https:\/\/shop.northsite.org.au\/collections\/intimate-worlds-iii.oembed?page=2","provider":"NorthSite Store ","version":"1.0","type":"link"}